Story-driven cinematic editing for videographers and studios — vibrant, true-to-life colour, clean audio, delivered ready for your clients. An in-house editing team already trusted by production studios across the USA, now taking on new USA & UK partners.
An ongoing studio partnership handling cinematic wedding edits, colour grading and final delivery — built to Oscar Production's own studio spec and turnaround, under their name, never ours.
View the full workBefore we touch a frame we build a written Signature Profile of how you edit — pacing, colour, music, story structure. Every cut is measured against that document, not against our taste. Your couples should never be able to tell.
Ten working days, standard. Studios rarely lose referrals over film-making — they lose them by telling a couple eight weeks and delivering in fourteen. We exist so the date you quote is the date that holds.
Say yes to the extra weekend without hiring an editor, buying a workstation, or spending December in front of a timeline. Your own capacity stops being the thing that caps your season.
End-to-end post-production, so the only part of the job left on your calendar is the part you actually enjoy.
Full-length films with story-first structure and pacing.
Three to eight minute highlights built around the vows and the speeches.
Vibrant, natural grades — never overexposed, never flat. Matched to your LUTs.
Vertical cuts and 60-second teasers, ready to post the week of the wedding.
Multi-camera sync, clean audio, and the moments couples rewatch for thirty years.
Clear vows, intelligible speeches, and a music mix that sits where it should.
Designed thumbnails and cover frames for YouTube, Vimeo and your own portfolio.
South Asian, Sikh, Muslim and Hindu ceremonies cut by editors who know the running order without being told it.
Every studio that has ever been burned by an editor was burned by the same thing: the film came back technically fine and emotionally wrong. It wasn't theirs.
So we don't start with your footage. We start with your work. We watch three to five of your recent films and write down how you cut — average clip length, how long you hold a moment, how warm you grade, what music you reach for, how you open and how you land. That document becomes the brief for every edit we deliver, and you get a copy.
It means the first film we cut for you is built from evidence instead of guesswork — and the tenth still sounds like you, even if a different editor cuts it.
Get your Signature Profile — freeEach of these was cut to a different studio's specification. That's the point — none of them look like us.
Ongoing partnership — cinematic wedding edits, colour grading and final delivery to studio spec.
View work →Ongoing post-production — feature and highlight films edited to studio spec.
View work →Multi-day celebrations cut into cohesive, colour-rich cinematic films — mehndi through vidaai.
View collection →All work shared with client permission.
Built to be repeatable. The first wedding and the fortieth run exactly the same way.
Twenty minutes. What you shoot, how you cut, what you promise your couples. No pitch deck, no intake form — just enough for us both to know whether this is a fit.
We watch three to five of your recent films and write your style document — pacing, colour, music, structure. You get a copy, free, and you keep it whether or not you work with us.
Drop the footage however you already work — Drive, Dropbox, WeTransfer, MASV, Frame.io. We fit into your workflow rather than asking you to learn ours.
One named editor on your account, working from your profile rather than from instinct. Highlight, teaser, vertical cut and cover art, delivered together in 4K.
Unlimited revisions on the first film — we keep going until it reads as yours. After that, one round per edit, because by then the profile is doing the work.
Deliver it to your couple and pay the invoice. Don't deliver it and pay nothing — the files, project file included, are yours either way. That doesn't change after the first one.
Every price includes the highlight film, the teaser, a vertical social cut and designed cover art. There is no separate charge for any of it.
One-day wedding, up to 10 hours of footage.
Two to three days, four or more events, 30+ hours of footage.
Three or more weddings a month, committed.
Rush delivery under seven days is +40% where capacity allows. Project files returned on request, always, at no charge.
Anything not here, ask on the call — we'd rather answer it properly than write a paragraph about it.
That's the entire reason the Signature Profile exists. We watch three to five of your recent films and write down how you cut before we open your footage — clip lengths, how long you hold a moment, your colour, your music, how you open and close. Every edit is checked against that document before it reaches you. And on the first film revisions are unlimited: we keep going until it reads as yours. If it never does, you don't pay and you keep the files.
Exactly what it says. Send us one wedding. We edit it and send it back. If you pass our cut to your couple, you pay the invoice. If you decide not to use it, you owe nothing — and the files, project file included, are still yours. No deposit, no contract, no minimum. We take the risk because we'd rather show you the work than describe it.
Ten working days as standard, from the moment the footage finishes uploading. Multi-day and cultural weddings run 10–14 days because there is simply more of it. Rush delivery under seven days is available at +40% when we have the capacity — and we will tell you honestly when we don't, rather than take the job and miss it.
However you already work. Google Drive, Dropbox, WeTransfer, MASV, Frame.io — or a hard drive if that is genuinely easier. We fit into your workflow. Asking a studio to change how it moves files in order to hire an editor is backwards.
Yes, and it is some of our strongest work. A mehndi, a sangeet, a ceremony and a reception is not one wedding with more footage — it is four films sharing an arc, and an editor who does not know the running order produces something technically clean and emotionally wrong. Ours know which moments carry the weight and which can be compressed. Sikh, Muslim and Hindu ceremonies included.
Yes. Every project sits in access-controlled storage, only the editor assigned to your account and the reviewer can open it, and nothing is ever posted, shown or used as a sample without your written permission — every film on this site is shared with the client's permission. We are a white-label partner: your clients should never know we exist, and that discretion is part of what you are paying for.
Our editing team works in-house, and our client contact runs on Cyprus time — which is how we cover both US and UK studios inside their working day. It is also, frankly, why we are strong on multi-day cultural weddings: our editors grew up around them. We say this openly because you will find out anyway, and a partner who is cagey about where they sit is not a partner worth having.
Book a twenty-minute call, or message us on WhatsApp. We will talk about what you shoot and how you cut, then build your Signature Profile within 48 hours and send it over free — yours to keep either way. If you like it, send one wedding on the pay-only-if-you-use-it basis. That is the whole onboarding.
Twenty minutes on a call, a free Signature Profile within two days, and one edit that costs you nothing unless you use it. That is the least risky way anyone will ever ask you to try an editor.
Ready to start, or just weighing it up — either way we are happy to have an honest conversation.